press room
Episode 4 of Money & Run, at Impact Theatre :
"Creighton, who returns as Money, is that rare combination of gorgeous and extremely funny"
- Chad Jones, Oakland Tribune
Dominic Orlando's Juan Gelion Dances for the Sun, a world premiere
with Crowded Fire Theater Company :
"...a bright and, later, magnetically inspirational Alexandra Creighton"
"several climactic scenes are as riveting as anything now onstage in the region"
- Robert Hurwitt, San Francisco Chronicle
"Alexandra Creighton projects the backbone and determination of [the] previously drifting...who has found a cause worth fighting for."
- Charles Brousse, Marin Independent Journal
Missives, world premiere at Theatre Rhinoceros :
"Alexandra Creighton's satirical performance as Trixie is - by itself - worth the price of admission....
Tracy Ward's wise and witty direction makes the play sparkle, and the actors shine"
- Tom Mayer, East Bay Voice
"Alexandra Creighton plays Trixie, the show's Erika Kane-like vixen, and she's delightful"
- Chad Jones, Oakland Tribune
"...a hilariously soap-sincere Alexandra Creighton"
- Robert Hurwitt, San Francisco Chronicle
The Life & Adventures of Nicholas Nickleby, 25th Anniversary Production
California Shakespeare Theater
a collaboration with British playwright & adaptor David Edgar :
"The must-see show of the summer season"
- Karen D'Souza, San Jose Mercury News
"alive with captivating cameos by Catherine Castellanos, L. Peter Callendar, Andrew Hurteau, Joan Mankin,
Alexandra Creighton, Jud Williford, Mia Tagano and Nicholas Pelczar in a variety of roles"
- Robert Hurwitt, San Francisco Chronicle
"The applause that greeted the California Shakespeare Theater cast at the opening of Part Two was a well-deserved mark of appreciation for its work in Part One....The Ensemble is the star of...David Edgar's epic two-part adaptation..."
- Robert Hurwitt, San Francisco Chronicle
Liz Duffy Adams' world premiere musical One Big Lie
with Playwrights Foundation, Crowded Fire Theatre Company, and our resident composer David Rhodes :
"As a full blown musical - Rhodes' score is accessible without bending to pop conventions -
One Big Lie borrows from Brecht, Weill and vaudeville"
- Chad Jones, Oakland Tribune
"Ana [is] a delightfully innocent country lass [played by] Alexandra Creighton, singing a bright, Disney-fied ditty"
- Robert Hurwitt, San Francisco Chronicle
"Expertly choreographed love scenes set to the Scorpions' Rock You Like a Hurricane" *
(need I say more?)
Money & Run, Impact Theatre's 70's TV action spoof :
"Creighton and Jackson, the ultra-good-looking leads, strike all the right poses...this action duo is seriously funny."
- Chad Jones, Oakland Tribune
"Alexandra Creighton's 'Money' is a hilariously overwrought meta-performance"
* - Sam Hurwitt, East Bay Express>